Latest stories

Mist, water, old trees, and a figure who is mostly there to give the scale. Notes from the quietest set in the AI Lab — and the hardest one to keep from turning into wallpaper.
Selected stories
Design thinking, identity, packaging, and visual systems.
Ramen, sushi, hot pot and dim sum — a pop-art series about girls who actually eat. Why we painted the food before the faces, and how a bowl of broth became the loudest thing on the page.

New from LOKKI: Bora-Bora, a limited-edition gift box that turns turquoise water, warm sunlight and palm shade into something you can actually hold. A look at how the packaging came together.
Design
15 development entries
design
The first version was elegant and slightly dead. Three weeks later we rebuilt it in colour — porcelain cracks, wood grain, bamboo weave, and a red line we kept by accident.

design
Punk, astronauts and vintage motorcycles, printed like covers for books nobody wrote. How one rule — the portrait has to look like it's selling something — built a whole series.

design
Four posters about a red wall, twenty minutes of orange light, and two people who never turn around. Notes on blank space, small figures and one lantern instead of seven.

design
Mist, water, old trees, and a figure who is mostly there to give the scale. Notes from the quietest set in the AI Lab — and the hardest one to keep from turning into wallpaper.

design
Four old objects, one very small person, and a museum case that made a straw cape look like a cliff. Notes on scale, gold ink, and two posters that never quite worked.

design
A camera on the floor, a sole in the foreground, hair doing the work of a graphic shape. How eight illustrations turned a decade into a posture — and why that posture sells.

design
Fifteen paper trials, twelve die-cut windows and a foil that kept cracking at the corners. How a Christmas countdown box was built to be kept in February rather than binned in January.

design
Ramen, sushi, hot pot and dim sum — a pop-art series about girls who actually eat. Why we painted the food before the faces, and how a bowl of broth became the loudest thing on the page.